Delight your inner Barbie doll
Wedding days: they’re everyone’s opportunity to live out their fairy tale. And, of course, the best way to feel like a princess is to look like a princess – cue the ever-fascinating obsession of the wedding dress.
Wedding days: they’re everyone’s opportunity to live out their fairy tale. And, of course, the best way to feel like a princess is to look like a princess – cue the ever-fascinating obsession of the wedding dress.
What are paintings all about anyway?
Rhian Jones discusses the depiction of the male nude in Western art
Max Falkenberg McGillivray reviews a new one-woman play about Syrian refugees at the Young Vic
Kieran Ryan takes the pilgrimage to Margate to see Turner and Frankenthaler
Have you ever been lost in a building? I don’t mean in the physical sense.
DramSoc’s spring term production of Jerusalem, directed by Grace Surman, opens with a young girl wearing fairy wings singing the eponymous hymn in the middle of the countryside.
As MTSoc put their finishing touches to the Spring performance, the Producers, they invited this intrepid reporter along to see how things were shaping up in the dress rehearsal.
This Tuesday, Imperial’s Musical Theatre society invited me to witness one of their final rehearsals – a full run through. And while it was bare bones up on the 10th floor of Physics, I still got to see all the singing, acting and dancing.
In Heads of State (1920), two portly figures are pictured in their bathing suits before a feminine backdrop of butterflies, flowers and a woman with a parasol.
The Tate Modern opens its Harry Callahan display with a quote from the photographer: “if a man wishes to express himself photographically, he must understand… his relationship to life”.
Art should comfort the disturbed and disturb the comfortable. It’s an instantly quotable adage from Banksy, but what does it actually mean? Can a line be drawn between outright political propaganda and the canvases hanging in every hip gallery in London?