No Such Sweetness
Max Falkenberg McGillivray reviews a new one-woman play about Syrian refugees at the Young Vic
Turner Round
Kieran Ryan takes the pilgrimage to Margate to see Turner and Frankenthaler
Can you sense a space?
Have you ever been lost in a building? I don’t mean in the physical sense.
An alcoholic bucolic frolic
DramSoc’s spring term production of Jerusalem, directed by Grace Surman, opens with a young girl wearing fairy wings singing the eponymous hymn in the middle of the countryside.
MTSoc Produce the Producers
As MTSoc put their finishing touches to the Spring performance, the Producers, they invited this intrepid reporter along to see how things were shaping up in the dress rehearsal.
MTSoc are The Producers
This Tuesday, Imperial’s Musical Theatre society invited me to witness one of their final rehearsals – a full run through. And while it was bare bones up on the 10th floor of Physics, I still got to see all the singing, acting and dancing.
Witty, irreverent, political collages
In Heads of State (1920), two portly figures are pictured in their bathing suits before a feminine backdrop of butterflies, flowers and a woman with a parasol.
Tiny Tate display still packs a punch
The Tate Modern opens its Harry Callahan display with a quote from the photographer: “if a man wishes to express himself photographically, he must understand… his relationship to life”.
Is all art propaganda?
Art should comfort the disturbed and disturb the comfortable. It’s an instantly quotable adage from Banksy, but what does it actually mean? Can a line be drawn between outright political propaganda and the canvases hanging in every hip gallery in London?
Turandot: finished but flawed
Puccini’s Turandot was “the end of the great tradition” of Italian opera. Ever popular, it is the grandest of them all, and yet it is deeply problematic. Set in a mythical China, at its simplest the tale concerns a Prince, Calaf, who wins the heart of the Princess of China, Turandot.
The Critic Laughs
Richard Hamilton. Father of pop art, experimenter of consumer design, right? If that is all you associate with this icon of twentieth century British art, this massive retrospective at the Tate will change your mind.
The Blind Astronomer
Is science emotional? Clara Clark Nevola interviews theatre maker Tom Espiner about the play Going Dark to find out