
When Sting met Shaggy
Despite sounding like a bad April fool’s joke, the collaborative album between Sting and Shaggy is actually surprisingly decent collision between artistry and meme.
Despite sounding like a bad April fool’s joke, the collaborative album between Sting and Shaggy is actually surprisingly decent collision between artistry and meme.
Gyre & Gimble effortlessly fuse cutting-edge puppetry with Max Richter’s beautifully recomposed rendition of The Four Seasons.
Matthew Lopez’ reimagining of Howard’s End attempts to be present a grand unified theory of what it means to be gay in America today.
The Tate Modern take us through one of the most important years of Picasso’s life, examining how he reacted to the world around him through his work.
Following on from his critically-acclaimed 4 Your Eyez Only, J. Cole’s latest release, KOD, is marked by mature lyrical content, but is hampered by sloppy technique.
Superb directing, solid acting, and the importance of a good script.
A band formed through Skype rehearsals release their debut.
Rebecca Frecknall directs a winning revival of one of Tennessee WIlliams’ lesser-known plays
The stage adaptation of Ingmar Bergman’s semi-autobiographical work “weaves new patterns”.
David Byrne returns after a long hiatus, but his effort is a bit too twee.
In the wake of International Women’s Day, Music Editor Andy Djaba discusses the unfortunate prevalence of misogyny in hip-hop.
An exploration of contemporary women artists resisting and subverting the status quo