Beach House’s latest is dream-popfection
FELIX takes a look at their second offering of the year
All hail the Frieze?
The commercial bomb is dropped on the latest and greatest in contemporary art
Krapp's Last Tape: A Clownish Take on a Classic
Fred Fyles finds that Robert Wilson disappoints in this production, which ignores the beauty of Beckett's language
Addiction and Adultery in the City
Fred Fyles finds that the bravado of The Motherfucker with the Hat hides subtler themes
The year’s biggest moments in music
Grace Rahman reflects on the events of a year that hasn’t really ended
The National wants you to watch
But Jack Steadman suggests otherwise (this time, anyway)
Art In The City: Our Summer Guide
Felix Arts presents our cultural guide of what’s on this summer
A Rousing Tale of Football and Loyalty
The Red Lion may or may not refer to the football club
All That Fall: A Light Show Hiding Real Substance
Emiel de Lange finds that the auditory component of Beckett's work far outweighs the visuals
Beckett in the City: A Potent Reminder of Inequality
Jingjie Cheng finds that Company SJ's city-based version of Rough for Theatre I and Act Without Words II reminds us of the relevance of Beckett's work
Meaning in Madness: Barbican's Celebration of Beckett
Fred Fyles heads to the Barbican, where they are currently celebrating the work of Samuel Beckett, to watch Lessness and Waiting for Godot
The Siege: Violence in the Levant
Clara Clark Nevola checks out this Palestinian work