Black and White Gothic — Redemption through Darkness

William Gewanter explores the importance of Charles Stewart’s works

Bonkers, But Not Brilliant - Bat Boy: The Musical

Max Falkenburg heads to Southwark to check out their cult musical revival

Dor Guez — A New Israeli History

Kamil McClelland checks out one of the new shows at the ICA

Eradication: The Extreme of Experimental

Max Falkenberg delves into on-stage psychosis at the BAC

Marlene Dumas: The image as triumph

Fred Fyles is amazed by this painter’s long-awaited retrospective

Napoleon: The Power Of Political Propaganda

Fred Fyles explores the relationship between power and image at the British Museum

Onegin — The Best of Ballet

Clara Clark Nevola reviews the Royal Opera House’s take on a ballet classic

Revealing the Costs of War

Kamil McClelland on the Royal Court’s new play

Viviane Sassen Like Never Before

Kamil McClelland explores Pikin Slee, Sassen’s exhibition at the ICA

Girls in Peacetime not as twee as it sounds

Philip Kent reviews the latest offering from Belle & Sebastian

A Fight to the Death in the World of Office Politics

Fred Fyles explains how Young Vic’s Bull misses the target in places

Bonkers, But Not Brilliant - Bat Boy: The Musical

Max Falkenburg heads to Southwark to check out their cult musical revival