A brief, mostly wrong history of the lo-fi aesthetic
How can something that sounds so bad in principle sound so very good in practice? Felix investigates.
How can something that sounds so bad in principle sound so very good in practice? Felix investigates.
Garage-dwelling Ty Segall is back with another rock-your-socks-off album, a Pollock-esque splatter-painting of genres that’s money-back guaranteed to amuse and delight fans of psych rock everywhere.
In light of the passing of legendary The Fall frontman Mark E. Smith, Felix’s hottest new music writer offers his own profound and earth-shattering insights into an artist he knew too little about.
Always ones to be ambitious and experimental, Marble Skies sees the electro-rock outfit trying their hands at a variety of new styles. The result is an eclectic jumble that oozes colour.
The most hotly-anticipated awards of the year are here. Put your hands together for the NeighbourHOOD Grammys.
Music Editor Henry Eshbaugh gives his take on a classic album.
That’s right, we’ve got another fucking list for you. Fucking sue us.
The nimble fingered German electronic producer, Nils Frahm, has returned with a gorgeous new album, and a freshly shaved head.
Nine years after Oasis’ acrimonius split, the Gallagher brothers are still at it, desperately clamouring to be the better sibling. With a new solo album out from each, Ziying Fang gives his verdict on who came out on top.
Last term, Felix named Humanz as one of the most disappointing albums of the year. Not happy with that, Sabina Nowakowska tells us why Gorillaz is more than just a band, but an ideology.
Music Editor Henry Eshbaugh flew all the way to New York to see the mariachi band from hell
Panda Bear's latest EP is an exploration of his influences