Mutation as a form as music
Tim Hecker warns of an apocalyptic dawn with transcendental acceptance.
Minimum to maximum, ambient to aggressive
Aggression has, for the most part, been a matter of force or damage. They yell, the guitars scream, the drums roar. All a product of man’s basest tendencies, a primitive release. Reining it back, Live 2002, is in many ways a controlled exploration of the impulses preceding the violence.
The lights are on, but nobody’s home
Despite rare glimmers of genius, the latest effort by soft rock outfit Rhye is disappointingly lackluster.
Pandering to the collective
Panda Bear's latest EP is an exploration of his influences
No one ever really thought they were still making music together
Just before Christmas, Pharrell Williams and co. dropped their first full-length album since 2010. And with it, they bring a whole host of friends including the likes of Kendrick, Ed Sheeran, and Rihanna.
The new Taylor Swift album can’t come to the phone right now. Why? Oh, ‘cause it’s shit.
Taylor Swift’s sixth LP is a powerful statement that unequivocally cements her as one of this century’s most mediocre sensations.
An aktual-ly good album this week
Ash Koosha tries to develop the work of his previous releases, but things feel disjointed.